Phillip Brooker is a
research associate at the University of Bath (UK) working in social media
analytics, with a particular interest in the exploration of research
methodologies to support the emerging field. Phillip is a member of the Chorus
team; a Twitter data collection and visualisation suite (www.chorusanalytics.co.uk).
He currently works on CuRAtOR (Challenging online feaR And OtheRing), an
interdisciplinary project focusing on how “cultures of fear” are propagated
through online “othering”. @Chorus_Team
NSMNSS events have always been good value for me. I haven't
quite been a part of the network since it kicked off, but I certainly have
tried to be an 'active member' for the years that I have been involved with it.
So when Curtis Jessop emailed me to ask if I'd give a talk on the
practicalities of using Chorus to do social media analytics research, I jumped
on it. Moreso than telling people about our software and what we've used it to
do, these events are always the perfect chance to hear about innovative current
research in the field. I won't go through my talk in too much detail here since
I generally try not to be too reductive about how Chorus might be used in
social research. Best to download it, watch the tutorial video, read the manual
and then play about with it yourself (all of which you can do at :::PLUG ALERT!:::
www.chorusanalytics.co.uk). Suffice
to say that my talk aimed to run through the basic features and functions of
Chorus as a free tool for collecting and (visually) analysing Twitter data.
This included a demonstration of the two different data collection modes – the
more familiar query keyword search which
you can use to look for hashtags and so on, as well as our native user following data collection function
which lets you capture sets of user’s Twitter timelines. And from there, I ran
through the different ways of visualising data within Chorus – in brief, the timeline explorer which provides a
variety of metrics (e.g. tweet volume, percentage of tweets with URLs, positive
and negative sentiment, novelty and homogeneity of topic) as they change across
time, and the cluster explorer which
produces a topical map of the entire dataset based on the frequency with which
co-occur with one another. The aim here was to show how Chorus might be used by
researchers to answer lots of different types of research question, both as a
full all-in-one package, but also in a more exploratory way if users want to
quickly dig into some data for a pilot study or similar – readers especially
interested in what Chorus might offer might find one of our recent methods
papers useful (available at: http://bds.sagepub.com/content/3/2/2053951716658060).
However, what I want to comment more pointedly on in this
blog is the NSMNSS event itself, because to me it marks something of a turning
point in social media analytics, where it's finally becoming very clear just
how distinctive we've made (and are continuing to make) the field. There seems
to have always been this worry that working with digital data runs the risk of
turning the social sciences into unthinking automata for blindly spotting
patterns – the supposed ‘coming crisis of empirical sociology’ referred to by
Savage and Burrows in 2007. And that characterisation has not really
disappeared, despite social media analysts natural objections to it as a way of
representing our work. Thus far, social media analytics has (arguably) necessarily
had to progress in a way that directly references those concerns – researchers
have made it their explicit business to show, through both conceptual and
empirical studies, that there is more to social media data than correlations.
However, at this most recent NSMNSS event I got the sense, very subtly, that
something different was happening. As a community, we seem to be moving past
that initial (and I reiterate, very necessary!) reaction into a second phase
where we’re beginning to be more comfortable in our own skin. We’re now no
longer encumbered by the idea of social media analytics as “not data science”,
and we’re seeing it recognised more widely as a thing in and of itself. As I
say, it might seem a subtle distinction, but to me it suggests that finally
we’re finding our feet!
Of course, this doesn’t mean we have neatly concluded any of
the long-standing or current arguments about the fundamental precepts of the
field – my background in ethnomethodology and ordinary language philosophy
gives me a lot to say about the recent incorporation of ideas from Science and
Technology Studies into social media analytics, for instance. But nonetheless,
for me, this event has demonstrated the positive and progressive moves the
field seems to be making as a whole. We already knew it of course, but it’s
clearer than ever that there are very interesting times ahead for social media
analytics!
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